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John Byrne’s Fantastic Four

John Byrne’s run on the Fantastic Four is widely considered to be one of the greatest and most influential runs in the history of the series. Spanning from issue #232 to #293, Byrne’s tenure on the book helped to redefine and reinvigorate the characters and the franchise as a whole, and it remains a beloved and iconic part of the Marvel Comics canon to this day.

Byrne’s approach to the Fantastic Four was marked by a renewed focus on the characters and their relationships. He placed a greater emphasis on the family dynamic of the team, exploring the tensions and conflicts that arise from being both heroes and relatives. He also introduced new characters and concepts, such as the villainous Dr. Doom’s son Kristoff, and the hero She-Hulk, who would go on to become an important part of the Marvel Comics universe in her own right.

One of the most notable aspects of Byrne’s run was his approach to the art. His illustrations were clean and dynamic, with a level of detail and precision that was unparalleled in the industry at the time. He was a master of composition and storytelling, and he used his art to convey both the grandeur and the emotional depth of the characters and their adventures.

Some of the most notable issues of Byrne’s run on the Fantastic Four include:

  • Fantastic Four #232-236: The “Trial of Reed Richards” storyline, in which Reed is put on trial for crimes against the universe.
  • Fantastic Four #241-243: The “Lost in Space-Time” storyline, in which the team becomes trapped in a pocket universe and must find a way back to their own reality.
  • Fantastic Four #258-260: The “Atlantis Attacks” crossover, in which the team battles the villainous Attuma and the forces of the underwater kingdom of Atlantis.
  • Fantastic Four #277-284: The “She-Hulk” storyline, in which the team takes on a new member, the gamma-irradiated lawyer Jennifer Walters.
  • Fantastic Four #285-286: The “Thing” storyline, in which Ben Grimm loses his powers and becomes human again.

These and many other issues of Byrne’s run on the Fantastic Four have become beloved classics of the medium, and they continue to be reprinted and celebrated by fans and creators alike. Byrne’s work on the series helped to define the characters and the franchise for a new generation of readers, and it remains a high-water mark of comic book creativity and innovation.

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